Influences/Influencers: Workshops at Craft in America

As part of the Influences/Influencers exhibit, California Fibers’ members have been preparing workshops to go along with their art.

Aneesa Shami Zizzo recently gave her Fabric Collage Workshop, using reclaimed fabric, collage methods, and applique techniques.

Annette Heully will be teaching knotless netting on Saturday, October 14, from 12:30 AM-3:30 PM. Use simple knots, loops, and a needle to learn to shape a flexible netted structure around almost any form.

On Saturday, October 28, from 11 AM-4 PM, Debra Weiss will be teaching Layers of Life: Collage and Stitch. You will learn to layer and stitch opaque and sheer fabrics to make a small autobiographical artwork that can also become a needle case.

Lastly, Ashley V. Blalock will be teaching beginning crochet on Saturday, November 18, from 11 AM-5 PM. Learn all the basic stitches while crocheting a small, three-dimensional item.

All class information is available on the Craft in America website.

Masked Response

California Fibers last met in person in January, like many art groups, constrained by shelter-in-place and quarantine requirements. We met online in April, our normal meeting day and time, but in little boxes on the screen, some muted, some distracted, some challenged by technology, all glad to see and hear our group. We talked about art and our upcoming exhibits and whether they might even happen, until one member, Lydia Tjioe Hall, suggested we create an online exhibit in our isolation, a response to having to wear a mask, especially as fiber artists. So many other people were unearthing ancient sewing machines and using up all the elastic, or searching through their stash for appropriate materials. It seemed appropriate for each of us to reach deeply into our chosen medium and fashion a response to being masked and in quarantine.

And here they are…

Charlotte Bird, I’d Rather Be Somewhere Calm

Doshi, Ebb and Flow; Silk Organza, Arashi Shibori, Acid Dye

Timeless ebb and flow,

Endless waves of change,

Eternal depth of the sea.

Susan Henry

Polly Jacobs Giacchina, Wire, salvaged metal, and felt

Chari Myers, Covid-19 UV Blaster Periwinkle; wet felted, merino wool, viscose, silk gauze, lights

and Covid-19 UV Blaster Red; wet felted, merino wool, viscose, silk gauze, lights

Kathy Nida, COVID Mask; window screen, wool and cotton embroidery thread

Aneesa Shami, Credit: El Naddaha (deconstructed knit mask) by Aneesa Shami, for Planet City, Director Liam Young, Costume Design Ane Crabtree.

Cameron Taylor-Brown, Unraveled, an antisocial fabric mask; woven, layered and stitched, linen and rayon, 6” h x 7” w

This mask is inspired by a commentator who said that our chaotic national response to Covid is “unraveling our social fabric. “ One could also say that the fault lines of our culture are now unmasked for all to see – even as our citizenry is directed to “mask up.” Unraveled is cobbled together from pieces of handwoven textile, folded and stitched haphazardly, with threads in disarray. And it doesn’t fit well - not much protection would be gained from this mask.

Lydia Tjioe Hall, Face Mask No. 1

and Sneeze

Peggy Wiedemann

Members Present

California Fibers has quarterly meetings, where we do all the normal business stuff that any group does, but we also have a program each time. This meeting, we had five members present about their work, some focusing on how they got where they are today, and others on specific pieces that they are currently working on.

Two of the members who presented at the July meeting were Peggy Wiedemann and Gail Fraser. You’ve seen Peggy’s progress in creating a chair from a some structural materials and pine needles in the last two posts, but she brought the finished project to the meeting, as well as a bird created with pine needles and some upcycled, traded fibers from our April meeting.

Peggy (on the left) talked about how she got started in coiling pine needles, as opposed to other art forms. She finds the coiling meditative. She didn’t start working in baskets until after the age of 50, although she owned many of them. Working on these projects is a way to experiment with structure. The chair has part of a real chair underneath, and then sculpture wire for other parts. The bird below also has some wire for structure and stability.

Wiedemann often starts a piece with no clear idea of how it will turn out. She also often has ideas about where to go next while she’s solving problems in the piece she is currently working on. She is starting another chair, but this one will be a wall piece, based on some of the ideas she had while working on this chair.

Gail Fraser has been experimenting with succulent leaves from her garden. She waits for the leaves to dry and then treats them with a variety of materials to get them flat and more flexible, so she can work with them. The leaves on her current projects have come from these two plants…

After processing them, she then stitches them into panels. You can see the dried and treated leaf below with some of the stitched panels in the background.

Fraser hasn’t decided what she will do with the panels next…

We’re looking forward to seeing what comes from these…

Fascinating projects. Stay tuned as we check in with the other three members who presented at our July meeting. And if you’re interested in becoming a member of California Fibers, contact us for more information about how to jury in. We have upcoming shows throughout Southern California and perhaps further out, plus more member presentations in upcoming meetings.